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My story

About

Artist Bio — Christopher Prandy

Introducing Christopher Prandy, an accomplished fine artist hailing from the vibrant creative landscape of New York City. Since beginning his professional painting career in 2008, Christopher has spent over a decade honing his craft and steadily building his name in the competitive world of contemporary art.

His rise began in 2010 with his debut exhibition, a pivotal moment that marked his formal entry into the New York art scene. That same year, Christopher’s talent was recognized by an assistant to the legendary Andy Warhol, who invited him to participate in a group show at the now-closed Chelsea Hotel Art Room. The opportunity generated significant buzz, fueling Christopher’s ambition to deepen his practice and expand his exhibition presence.

During this early period, he worked as an usher at the historic Town Hall Theater, where a serendipitous meeting with the iconic painter Peter Max led to a brief but meaningful mentorship. Their bond culminated in 2012, when Peter Max visited Christopher’s successful solo show at Le Salon D’Art in the Lower East Side—located directly across the street from the iconic Arlene’s Grocery. The exhibition drew an enthusiastic crowd, highlighted by a heartfelt embrace between Christopher and Peter Max.

Since then, Christopher’s career has continued to flourish. His work has been showcased in front of the prestigious Metropolitan Museum, and his collectors span the globe. To date, he has presented five solo exhibitions—with a highly anticipated sixth planned for 2025 in New York City.

Christopher’s current work is inspired by his lifelong fascination with outer space. His abstract expressions, splattered forms, and layered textures reflect the vastness of the cosmos—evoking galaxies, starbursts, and the energetic rhythm of the universe itself. Through this new body of work, he channels the beauty, chaos, and wonder of space, using his canvas as a portal to the infinite.

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"As a fine artist rooted in New York, my practice is shaped by ritual—daily dedication, disciplined freedom, and the weight of experience etched into every movement. My current body of work leans into abstraction: what may resemble paint splatter is, in truth, a visceral leak—blood, soul, memory—spilled across the surface. These pieces are not accidents. They are eruptions. They are stars collapsing and being born again.

 

I’ve carried a deep love for space since childhood, and lately, the cosmos has felt closer than ever. It fuels me. These new works are constellations of my own becoming—charting the highs, the lows, and the quiet in-between. The beautiful moments, the big bangs, the sudden bursts of joy or ache—I let it all pour out onto the canvas. Every painting is a snapshot of my inner galaxy.

 

Each piece is a portal—an emotional landscape, a pulse, a truth. Through my work, I invite others not just to look, but to feel. To witness what happens when chaos meets clarity. When the universe speaks through color. "

 

—Chris.

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